I shall miss you so much when I am dead
For copyright reasons this poem is unavailable online. To read Harold Pinter’s ‘Poem (To A)’, purchase Granta 100.
I shall miss you so much when I am dead
For copyright reasons this poem is unavailable online. To read Harold Pinter’s ‘Poem (To A)’, purchase Granta 100.
‘I want the poem to destroy time. / What are the ceremonies of forgetting?’
An elegy by Nick Laird for his father, Alastair Laird, who died in 2021 of Covid-19. Shortlisted for the Forward Prize for Best Single Poem.
‘In the place where I grew up there were horses, thighs moving like nudity under their fur’
From Amnion by Stephanie Sy-Quia, published by Granta Books and shortlisted for the Felix Dennis Prize for Best First Collection.
‘My brother and I hurried through sloppy postures of praise, quiet as the light pooling around us.’
A poem by Kaveh Akbar, from his shortlisted collection Pilgrim Bell, first published in Granta 156: Interiors.
‘I wanted to and then / Remembered why I want to never’
Poetry by Shane McCrae, shortlisted for Cain Named the Animal.
‘Would / the apple be concerned / if I said it was not an apple’
Poems by Padraig Regan, from Some Integrity, shortlisted for the Felix Dennis Prize for Best First Collection.
Harold Pinter was born in London in 1930 and was married to Antonia Fraser. He was the author of twenty-nine plays, twenty-one screenplays and directed twenty-seven theatre productions, including James Joyce’s Exiles, David Mamet’s Oleanna and seven plays by Simon Gray. His awards included the Companion of Honour for services to Literature and the Molière d’honneur for lifetime achievement. In 2005, he received the Nobel Prize for Literature. He died on Christmas Eve, 2008.
More about the author →‘Shakespeare writes of the open wound and, through him, we know it open and know it closed. We tell when it ceases to beat and tell it at its highest peak of fever‘, Harold Pinter in 'A Note on Shakespeare' in Granta 59: France: The Outsider.
‘Empires fall like milk teeth.’
Stephanie Sy-Quia on her collection Amnion.
‘Careful when you turn your eyes towards someone, you allow them the chance to turn theirs on you.’
Tice Cin on her debut novel Keeping the House.
In an article for the LA Review of Books, Deborah Smith discusses the politics of literary translation and the backlash she received after winning the Man Booker International Prize.
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