Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
Jeet Thayil talked to online editor Ted Hodgkinson about being shortlisted for the Booker, the images of Christ woven into his novel Narcopolis and an unexpected digression on Blade Runner.
Narcopolis by Jeet Thayil is published by Faber & Faber.
Photograph © Basso Cannarsa
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Jeet Thayil was born in Kerala, India in 1959 and educated in Hong Kong, New York and Bombay. He is a performance poet, songwriter and guitarist, and has published four collections of poetry. He is the editor of The Bloodaxe Book of Contemporary Indian Poets (2008). His debut novel Narcopolis was shortlisted for the Man Booker Prize. He currently lives in New Delhi.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘Quitting drugs – what an idea. How final and unaccommodating. Like being left without faith or protection in a pagan world.’ An extract from Jeet Thayil’s Low.
‘To read Baudelaire, he said, is to gather up the world and bring it inside.’
Jeet Thayil on remembering Baudelaire in Paris and Cochin.
‘Otome games are about women writing romance plots designed to please women – paper hubbies and their voice actors are just a conduit to make the experience more believable.’
Yun Sheng on the rise of virtual love in China.
‘This set of characters are simultaneously medieval kings and modern aristocrats.’
Allen Bratton on adapting the Henriad and his debut novel Henry Henry.
‘She is thorough in a way that is off putting to people. It makes for a good secretary, not a good conversationalist.’
Fiction by Madeline Cash.
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.