Photograph by Basso Cannarsa
George Saunders talks about allowing his characters access to goodness, why he avoids ‘auto-dark’ in his stories, and the death of David Foster Wallace.
Photograph by Basso Cannarsa
‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
George Saunders is the author of eleven books, including Tenth of December, Lincoln in the Bardo and A Swim in a Pond in the Rain. He has received MacArthur and Guggenheim fellowships, and the PEN/Malamud Prize for excellence in the short story, and was recently elected to the American Academy of Arts and Sciences. In 2013, he was named one of the world’s 100 most influential people by Time magazine. He teaches in the creative writing program at Syracuse University.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘The way I write in general is basically just to move, in as a quiet-minded a manner as I can, toward what I feel as heat.’
A discussion of the mind of Abraham Lincoln, the art of creating historical voices, verbal improv and writing the afterlife.
‘Must I deny my predilection, and marry, and doom myself to a certain, shall we say, dearth of fulfillment?’
‘One purpose of art is to get us to wake up, recalibrate our emotional life, get ourselves into proper relation to reality.’
‘At the moment, I would say that depends what you mean by ‘believe’ and what you mean by “God”’
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