Photograph courtesy of Cynan Jones
Cynan Jones spoke to online editor Ted Hodgkinson about why he doesn’t want to be defined as a Welsh writer, the pleasures and challenges of writing short stories and novellas and writing about the growing pains of adolescence.
Photograph courtesy of Cynan Jones
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Cynan Jones was born in 1975 near Aberaeron, Wales. He is the author of five short novels, The Long Dry, Everything I Found on the Beach, Bird, Blood, Snow, The Dig, and Cove. His work is published in over 20 countries and has won several prizes including a Betty Trask Award, the Jerwood Fiction Uncovered Award, the Wales Book of the Year Fiction prize, and the BBC National Short Story Award. He has also written stories for radio and screen, and a collection of tales for children. Other writing has appeared in numerous publications including Granta and the New Yorker. He was elected a Fellow of the RSL in 2019. www.cynanjones.com
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘A kestrel is not domestic. The one time I tried affection the bird put his beak through my lip.’
‘A pair of seagulls. I say a pair. They might just be good friends.’
‘Believe me – it will be impossible for you not to wonder – when I vow I am entirely sane.’
‘In the car lights he could see just beyond the runs the bodies of cars like some disassembled ghost train littering the field.’
‘What can damage us more? The blunt honesty of hatred, or the thwarted objective of reconciliation?’
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