Photography: The Paris Intifada
Nick Danziger
Image 1 of 10
The graffiti in Bagneux are often written in English. Many of its residents would like to move to the UK as they have heard from relatives that it is easier to find work there and society is more tolerant of other cultures. Young men speak wistfully of ‘une petite anglaise’.
Image 2 of 10
Within this banlieue, many of the inhabitants know each other and feel quite safe. Outsiders, though, fear to enter these neighbourhoods and their fears are often well founded. I was fortunate to have a chaperone and, introduced by him, I was greeted with a handshake, often referred to as ‘Monsieur’ and never felt threatened.
Image 3 of 10
Young people make a distinction between the north and south of their banlieue, but there is no hostility between them. But there might be bad feeling if you come from a neighbouring département such as Seine-Saint-Denis, which they refer to as ‘9-3’ or ‘Neuf-cube’, referring to the postal code, which begins with the number 93.
Image 4 of 10
There is a ‘look’ in the neighbourhood: cap, or cap and hood, cellphone, heavy jewellery if they can afford it. The groups always seem to be young men as opposed to ‘les papiches’ – young women.
Image 5 of 10
Many of the young men are mad about football. The kids in this banlieue aspire to make in a lifetime the equivalent of their heroes' reported weekly wage of 150,000 Euros.
Image 6 of 10
This cité in Bagneux is typical of much of the Parisienne banlieue and has contributed to the marginalization and frustrations of their inhabitants.
Image 7 of 10
With high unemployment and discrimination based on where they live, there are few opportunities for ‘le taf’ (work).
Image 8 of 10
Bagneux has a multicultural, multinational mix of residents, including Congolese, French Antillean, North African, West African and French.
Image 9 of 10
Football is one of the only ways young people find their way out of the cité. They dream of joining a professional club and hero-worship figures such as William Gallas, captain of Arsenal Football Club, who comes from Asnières-sur-Seine on the outskirts of Paris.
Image 10 of 10
Night-time in Bagneux, which is midway between Orly airport and the Eiffel Tower. Many of the young people I met had never been up close to the Tower, though it is visible from the roofs of the tower blocks. They call central Paris ‘Panam’.
In the spring of 2008, Nick Danziger photographed inside the troubled Paris suburb of Bagneux. This essay accompanies the report by Andrew Hussey from Granta 101.
More on Granta.com
Interview
Brea Souders & Alice Zoo
‘How would I feel if I had messaged for years with someone that I later found out was an AI?’
Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.
The Weight of the Earth
Debmalya Ray Choudhuri & John-Baptiste Oduor
‘The presence of another person at the scene is suggested. The image invites you to imagine their position and to mentally assume it.’
Photography by Debmalya Ray Choudhuri, introduced by John-Baptiste Oduor.
Plainsong
Suzie Howell & A. K. Blakemore
‘Postures of graceful receptivity, or surrender. How do we tell the difference?’
A.K. Blakemore introduces Suzie Howell’s photographs.
We’re Not Really Strangers
Sama Beydoun
‘The people I’ve photographed made Beirut liveable.’
Sama Beydoun photographs the nightlife of Beirut.
Carys Davies | Notes on Craft
Carys Davies
‘All good stories are both resonant and concrete; they live in the mind of the reader and reverberate beyond the pages of the book.’
