Markéta Luskačová’s photographs of women and children.
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Markéta Luskačová’s photographs of women and children.
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Markéta Luskačová’s photographs are held in many public collections around the world, including those of the National Portrait Gallery in London and the Museum of Modern Art in New York.
More about the author →‘The bareness of this land was beyond anything I had imagined, but in the faces of these men, in their postures, their prayers, there was something that felt very familiar to me.’
‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘How would I feel if I had messaged for years with someone that I later found out was an AI?’
Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.
‘The presence of another person at the scene is suggested. The image invites you to imagine their position and to mentally assume it.’
Photography by Debmalya Ray Choudhuri, introduced by John-Baptiste Oduor.
‘It is a principle of freemining that you leave nothing of value on site, nothing other than the mine itself, which is of value only to a freeminer.’
William Atkins visits the Forest of Dean, with photography by Tereza Červeňová.
‘In the fall of 1971, Rome enjoyed an unbroken skein of bright crisp mornings and balmy afternoons that stretched on into November’.
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