‘It feels like being a child in a room where adults are having a deep and passionate conversation about important things’
Not long ago I tried to explain to a friend the effect that Nicolai Medtner’s music has on me. I spoke with eloquence, passion and wit; analogies of the most ingenious kind sprang to my lips; I found myself stirred to a frenzy of admiration for the profundity of my insights.
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Not long ago I tried to explain to a friend the effect that...
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘gormandizing, gluttonous, lickerish, guttling’
Excerpts from Lydia Davis’s diary.
‘What happens to a dancer when they stop dancing?’
Diana Evans on dancing and writing.
‘The National Socialist Underground murders were a series of racist attacks perpetrated throughout Germany between 2000 and 2007.’
Forensic Architecture and the murder of Halit Yozgat.
