‘It feels like being a child in a room where adults are having a deep and passionate conversation about important things’
Not long ago I tried to explain to a friend the effect that Nicolai Medtner’s music has on me. I spoke with eloquence, passion and wit; analogies of the most ingenious kind sprang to my lips; I found myself stirred to a frenzy of admiration for the profundity of my insights.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Not long ago I tried to explain to a friend the effect that...
‘I turn to O’Connor’s music when I get tired of lying to myself. Her songs are allegorical free-falls. Spiritual chiaroscuros, even.’
Momtaza Mehri on Sinéad O’Connor.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘gormandizing, gluttonous, lickerish, guttling’
Excerpts from Lydia Davis’s diary.
‘What happens to a dancer when they stop dancing?’
Diana Evans on dancing and writing.
‘It was, she thought, like trying on made-to-measure garments that have been tailored for someone bigger, smaller, rounder, thinner than you could ever hope to be.’
