He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
Sign in to Granta.com.
‘He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger.’
He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Kate Grenville was born and lives in Sydney. Her novels include Lilian’s Story, (1985) Dark Places, (1994) The Idea of Perfection (1999) and The Secret River (2005), which was shortlisted for the Man Booker Prize. Her most recent work is The Lieutenant (2008). The short story, Mate, appeared in Granta 70.
More about the author →
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘I came to feel that I was hiding here in the physical world, like a child who hides in a computer game to escape a more consequential reality.’
Tao Lin on his spiritual awakening, via psychedelics and the literature of near-death experiences.
‘I think I stayed with the text for as long as I needed to give meaning to my grief, crying not in Johanna’s absence but with her.’
Sigrid Rausing on transcribing, translating and editing Johanna Ekström’s final notebooks.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I settled in, decades ago, to the idea that I was just going to write from a gay position, without explanation or excuse.’
Alan Hollinghurst on writing from the outsider’s perspective and cataloguing queer life.
‘That supremacist is the idea, in those brothers and sisters of mine, of shyness (which no one understands) being an encumbrance that they should purge as they try to find in their interaction with the world a perfect mixture of disdain, meekness and expansiveness.’
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.