He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
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‘He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger.’
He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
Sign in to Granta.com.
‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
Kate Grenville was born and lives in Sydney. Her novels include Lilian’s Story, (1985) Dark Places, (1994) The Idea of Perfection (1999) and The Secret River (2005), which was shortlisted for the Man Booker Prize. Her most recent work is The Lieutenant (2008). The short story, Mate, appeared in Granta 70.
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‘Something slightly odd united us at times: a form of cruelty.’
Fiction by Anne Serre, translated by Mark Hutchinson.
‘you dreamt of the CUNY / Graduate Center library / on fire, you dove in to save Stalin’s / copy of Capital’
Poetry by Kay Gabriel.
‘He saw himself as nothing more than a man holding a pen.’
Paula Fourie remembers her husband, Athol Fugard.
‘The material becomes a fable about Los Angeles, a city that is always watching itself watch itself.’
Jesse Barron on Los Angeles and Gary Indiana’s final novel.
‘Dead friends come to us unbidden – in unexpected moments, in dreams. They remain in conversation. In these pages, writers have transmitted the flickering aura of their departed friends.’
The editor introduces the issue.
‘Music, because of its abstraction, is the most difficult of all art forms to write about with exactitude and precision.’
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