‘Gama has defeated them all, and more, but how is he to be Champion of the World if this half of the world is in hiding?’
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‘Gama has defeated them all, and more, but how is he to be Champion of the World if this half of the world is in hiding?’
‘Gama has defeated them all, and more, but how is he to be Champion of the World if this half of the world is in hiding?’
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Tania James’s books include the story collection Aerogrammes and the novel The Tusk that Did the Damage. She has been a fellow of Ragdale, MacDowell, the Sustainable Arts Foundation and the Fulbright Program. She teaches in the MFA program at George Mason University and lives in Washington DC.
More about the author →‘Write the story that unsettles and excites you, that keeps you coming back to your desk.’
‘How do you love a monster when they are no longer monstrous?’
New fiction by Diana Evans.
‘Ask anyone in Ayodhya, and they will say the city’s Hindu–Muslim harmony can withstand any test.’
Snigdha Poonam on the construction of a Hindu temple on the ruins of a mosque in Utter Pradesh.
‘The town’s fate was tied to poor development and ecological disaster.’
Amitava Kumar visits a Himalayan town.
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘Having come here for a purpose, to trace the fault line of his own history, he searches for the year that saw its inception.’
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