‘She must have loved gold seeing that everything in the penthouse was gold. We didn’t sit. Fear didn’t let us see where to sit.’ A story by Adachioma Ezeano.
‘I had also, a week earlier, been fired for trying to sleep with my boss’s husband. I got the idea from a book, or maybe every book.’ A story by Emily Adrian.
‘The Mitsubishi conglomerate controls a forty per cent share of the world market in bluefin tuna; they are freezing and hoarding huge stocks of the fish every year.’ Katherine Rundell on extinction speculation.
‘Two roof tiles are missing to the rear: the kiss of death. Without repair, ruination is now inevitable. Until then, this is my best hope of shelter.’ Cal Flyn visits the island of Swona in northern Scotland.
‘I’m on the cliff of myself & these aren’t wings, they’re futures. / For as long as I can remember my body was a small town nightmare.’ A poem by Ocean Vuong.
Jenni Fagan’s critically acclaimed debut novel, The Panopticon, was published in 2012 and named one of the Waterstones Eleven, a selection of the best fiction debuts of the year. Her poetry has been nominated for a Pushcart Prize and her collection The Dead Queen of Bohemia was named 3:AM magazine’s Poetry Book of the Year. She holds an MA in creative writing from Royal Holloway, University of London, and currently lives in a coastal village in Scotland. ‘Zephyrs’, in the issue, is an excerpt from her novel in progress.More about the author →
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