Give Me Everything You Have by James Lasdun is published by Jonathan Cape.
Photograph © Pia Davis
James Lasdun on his memoir, D.H. Lawrence and why finding a close reader can sometimes be a curse.
Give Me Everything You Have by James Lasdun is published by Jonathan Cape.
Photograph © Pia Davis
‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
James Lasdun is the author of several books of poetry and fiction, including It’s Beginning to Hurt, a story collection. His poetry collection Landscape with Chainsaw was a finalist for the Forward, T.S. Eliot and LA Times Book Prizes.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘But he had engulfed her somehow; taken up residence in her imagination like some large, dense, intractable problem that had been given to her to solve.’
‘The fire department didn't have a tall enough ladder to reach his body.’
‘Ice gets into the sea in two ways: it falls in from calving glaciers, or it forms during the winter. Both kinds are spectacular.’
‘We shouldn’t just study people through their archives, but also by being witness to their dreams.’
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