‘Behind every man I want to kiss lies that original desire, which it is my nature and my fate to displace.’
I only hope we may sometime meet and I shall be able perhaps to say what I cannot write.
– Bram Stoker to Walt Whitman, February 1876
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Alison Smith on the week she spent with Ursula K. Le Guin.
This surreal tale from Haruki Murakami circles a Charlie Parker album that never existed. Translated from the Japanese by Philip Gabriel.
A monastic community persists after a ‘great chaos and collapse’ in this story by the 2018 Nobel Prize for Literature laureate, Olga Tokarczuk. Translated from the Polish by Jennifer Croft
Two poems from Rebecca Tamás’ collection WITCH.
Summer Brennan on high heels, foot-binding, and our ongoing performances of gender.
‘an orange plastic basket of compost / down from the top of the garden – sweet dark, / fibrous rot, promising’
‘When I was seventeen, a freshman in college living in my parents’ house, I met Ruth at a poetry reading.’
Will Self and Mark Doty's discussion with Granta publisher Sigrid Rausing about blood, the surprising relationship between Bram Stoker and Walt Whitman and the nature of addiction.
‘Where was Denver in all of this, or the wide open road to Mexico, or the woman, hip to the souls of sensitive men, who was played on-screen by Sissy Spacek and later by Kirsten Dunst?’
Andrew O’Hagan remembers Carolyn Cassady, beat writer and widow of Neal Cassady.
‘Thank any God, our emergency is celestially authorised’
New poetry by Jay G. Ying.
Irish publishers discuss the history of Ireland’s literary journals, short story culture, the fight against marketing departments and the work of fostering literary innovation.
