When George’s father died, he neglected to tell his therapist, which wouldn’t have been such a big deal, except she could cop a mood, and she knew how to punish him with a vicious show of boredom.
Sign in to Granta.com.
‘She could see, or was starting to, that someone out there was seeing him, watching him.’
When George’s father died, he neglected to tell his therapist, which wouldn’t have been such a big deal, except she could cop a mood, and she knew how to punish him with a vicious show of boredom.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Ben Marcus is the author of The Age of Wire and String, Notable American Women, The Flame Alphabet and Leaving the Sea. His work has appeared in the New Yorker, Granta, Harper's and the Paris Review. Marcus has received a Whiting Writers' Award, a Berlin Prize and a Guggenheim Fellowship. He is on the faculty at Columbia University in New York.
More about the author →‘One purpose of art is to get us to wake up, recalibrate our emotional life, get ourselves into proper relation to reality.’
‘The tally, indeed, on that particular activity, in that particular location – or, in fact, on any couch ever – was, indeed, zero.’
‘I promise you, the committee only looks at two things: how feasible a proposal is, and what it could actually do for the environment.’
A bureaucrat and an entrepreneur discuss environment-saving proposals in a short play by Si’an Chen, translated by Jeremy Tiang.
‘Thanks to what Chetan had published, he and his parents were in trouble, and he was exiled from India.’
Fiction by Karan Mahajan.
‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘The insects dissect the layers of my father’s life, our lives and my mother’s life that have collected in this sad house.’ Translated from the French by Neil Smith.
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.