‘The speech he gave was bellicose. It was time, he told the people in the conference room, for them to pull their socks up.’
In June 1994, when the news magazine show Full Disclosure was in its second month of development at Fox Television, Andrew Neil, the show’s co-executive editor and star correspondent, called a meeting of his staff. Neil had arrived in New York six weeks earlier. His job at Fox was being described …
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
‘Women observing other women tend to be engrossed by the details—the bodily minutiae, the clothing particulars.’
A journalist receives a troubling call about a friend in this excerpt from Madeleine Bunting’s new novel Ceremony of Innocence.
‘Pictures from some cities in Latin America: the burning in front of the family home of the dead who are not collected by the state.’
A coronavirus diary from the Portuguese writer Gonçalo M. Tavares, translated by Daniel Hahn.
‘My Cairo is an inverted city, one that wears its innards above the skin.’
Jane Austen’s novel ‘Northanger Abbey’ was published posthumously in 1818. Martin Amis adapted it for Miramax Pictures in 2001. The film has yet to be made. This is how it begins.
