Granta | The Home of New Writing

Explore In conversation

The National Language

Uzma Aslam Khan & Aamer Hussein

‘It gives me two languages to play with in my writing. It also gives me two languages to love and curse in.’

Gary Shteyngart | Interview

Gary Shteyngart & Emily Greenhouse

‘I can’t even afford to have thoughts on London, much less live or visit there.’

Ben Folds and Nick Hornby | Interview

Ben Folds, Nick Hornby & John Freeman

Ben Folds and Nick Hornby talk to John Freeman about literature, music and their new collaborative album.

Anthony Doerr | Interview

Anthony Doerr & Patrick Ryan

‘The natural world is full of records and erasures.’

Toby Litt | Interview

Toby Litt & Ollie Brock

‘I wanted to write a minimalist romance, so I needed to have plenty of Love and Death. A dead human heart is both.’

Anne Rowe | Interview

Anne Rowe

‘From her letters we learn about the woman as opposed to the writer. Iris Murdoch’s philosophy and fiction reveal her rational public face; in her letters she speaks from the heart.’

Elizabeth McCracken | Interview

Elizabeth McCracken

‘This week John Freeman spoke to Best Young American Novelist Elizabeth McCracken about her works-in-progress, a novel that broke up into six short stories, and her contribution to Granta’s latest issue.’

Music and Memory

Various Contributors

‘There was a time when I discovered that the best way to remember things was with the accompaniment of very loud music.’

Bill Morgan | Interview

Bill Morgan

‘We’ve fallen out of the habit of writing out our lives for one another, and instead we just pick up the phone.’

Philippe Claudel | Interview

Philippe Claudel & Emily Greenhouse

‘The modern novel can’t sidestep or ignore the idea of evil on an industrial level’

Translating Sex

Natasha Wimmer & Ollie Brock

‘I won’t say that the mood of a scene doesn’t affect me, but I’m not the translating equivalent of a Method actor.’

Interview: Yann Faucher

Yann Faucher & Emily Greenhouse

‘I use my body as a material, in an attempt to make it impersonal for the viewer. It’s easy to be your own subject/model, but my primary aim is not narcissism.’

Jo Broughton | Interview

Jo Broughton & Ollie Brock

‘Jo Broughton’s parents were ‘too busy killing each other’, she says, to know where she went when she ran away from home aged seventeen.’