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Ruchir Joshi | Interview

Ruchir Joshi

Writer and filmmaker Ruchir Joshi on his essay ‘Tracing Puppa’, Calcutta and his dreams of writing for Granta.

Daniel Alarcón | Interview

Daniel Alarcón & Helen Gordon

‘The strangest parts of a story are not necessarily the fictional elements.’

Uwem Akpan | Interview

Uwem Akpan & Jeremiah Chamberlin

‘I just wanted to say something about how decent people struggle in difficult situations.’

Soumya Bhattacharya | Interview

Soumya Bhattacharya & Roy Robins

‘The emotion and the impulse of fiction is autobiographical, but the events never are.’

Mark Crick | Interview

Mark Crick

Mark Crick on the DIY tips of the world’s greatest novelists, how to inhabit another writer’s voice and why there is nothing more erotic than painting.

Hannah Gersen | Interview

Hannah Gersen & Roy Robins

‘It’s very satisfying to write short stories because it can be a kind of game — to see how much can be revealed with just a few thousand words.’

David Heatley | Interview

David Heatley & Simon Willis

‘There’s something magical about a pictographic doodle that’s simple enough to scan and then move on.’

Erin McMillan | Interview

Erin McMillan & Roy Robins

‘The other important component of the why of writing is that I’ve always been a bit of a liar.’

Andre Dubus III | Interview

Andre Dubus III & Catherine Tung

‘Everybody gets an imagination at birth, and I truly believe that deep down, we all have an intimate knowledge of the other.’

Peter Hobbs | Interview

Peter Hobbs & Roy Robins

‘Illness is solitary, because suffering is something you always do alone.’

Jonathan Raban | Interview

Jonathan Raban & Helen Gordon

‘The term ‘man of letters’ now seems hopelessly archaic, but I’d like to think there’s still life left in the notion of the writer who’s just a writer.’

Evan James Roskos | Interview

Evan James Roskos & Roy Robins

‘There is a view of American men presented by the media – of men as boorish, insensitive, emotionally immature – that manages to underscore various stereotypes that I feel fiction and poetry have a duty to dismantle.’

Lana Asfour | Interview

Lana Asfour & Roy Robins

‘I do find in fiction the greatest freedom and therefore the greatest potential meaning.’