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In Conversation
Pico Iyer & Caryl Phillips
‘The immigrant’s dream – that he or she can make a better life for the children – becomes a kind of tragedy when it comes true.’
Pico Iyer and Caryl Phillips discuss migration, V. S. Naipaul and the meaning of home.
In Conversation
Amina Cain & Patrick Cottrell
‘Without obsession, I don’t think I’d get anywhere.’
Two authors discuss atmosphere, obsession and going ‘too far’.
In Conversation
Ira Mathur & Monique Roffey
Ira Mathur and Monique Roffey discuss memoir-writing in the Caribbean and the enduring legacy of colonial rule in Trinidad.
In Conversation
Kamila Shamsie & Sunjeev Sahota
A conversation between Kamila Shamsie and Sunjeev Sahota.
In Conversation
Momtaza Mehri & Warsan Shire
Momtaza Mehri and Warsan Shire talk about nineties London, parentification and diasporic inheritances.
In Conversation
Leslie Jamison & Margo Jefferson
‘The self is the work of art. Criticism puts that self in the service of other art.’
The authors discuss the multiplicity of the self, the idea of necessity, and how to work with what you lack.
In Conversation
Mary Jean Chan & Andrew McMillan
The authors of Flèche and physical discuss the state of queer poetry in Britain, how to make poetry alive and what an anthology can mean.
In Conversation
Jo Hamya & Okechukwu Nzelu
The authors discuss music, the internet’s gamified reading culture and reading your reviews.
In Conversation
Eva Baltasar & Irene Solà
‘The tide carries my books from my head to a place that is no longer mine.’
The authors discuss friendship, the sea and finishing their novels.
Interview
Colm Tóibín & William Atkins
‘I think he saw the German spirit as one in which suffering or an appreciation of suffering was essential.’
Interview
Stephen Gill
Photographer Stephen Gill, whose photo-book Please Notify the Sun came out in 2021, speaks to Granta.
In Conversation
Will Alexander & James Goodwin
‘I may have mentioned this at a prior time but there are around 250,000 words in the English language, yet within the utilitarian scale they seem consumed according to advertising and profit.’