Essex clay could be like living flesh or a cold dead wall. We could punch it, climb it, cut it, try to mould it, try not to offend it, but the clay was permanent like nothing else. Half a century ago, behind the back door of a semi-detached house on the Marconi works estate, a mile from Chelmsford…
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
A selection of Granta contributors discuss the books they read in 2012.
‘Finally! I thought. Now I get to work in a big factory. I was fifteen and a half years old. I was a child laborer.’
Xiao Hai on coming of age in the factories of Shenzhen, translated by Tony Hao.
‘There’s this paradoxical nostalgia where even though yi suffered, yi miss it.’
Memoir by Graeme Armstrong.
‘In clothes, I met strangeness with strangeness. They dressed me with a kind of distanced power.’
Rosie Findlay on fashion and religion.
‘Another spring, another sequel.’
A poem by Sasha Debevec-McKenney.
