Bo Diddley with the Bo-ettes, and the Duchess (right) on rhythm guitar, Los Angeles, 1965
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‘There’s Bo Diddley. Big hips, pointy shoes, glasses. A gap between his teeth, and a bow tie, in 1965.’
Bo Diddley with the Bo-ettes, and the Duchess (right) on rhythm guitar, Los Angeles, 1965
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Ben Ratliff has been a pop and jazz critic at the New York Times since 1996. His most recent book is The Jazz Ear: Conversations over Music (Times Books).
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Momtaza Mehri on Sinéad O’Connor.
‘Rehearsing in front of the mirror was for actors, according to them, not comedians. It was for vain people. A good comedian was the opposite of vain, they said.’
Fiction by Camille Bordas.
‘Is there in fact a jostling for dominance between the art forms, some barely suppressed competitiveness?’
Adam Mars-Jones on music and ceremony.
‘gormandizing, gluttonous, lickerish, guttling’
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