She remembers her name. She remembers the name of the president. She remembers the name of the president’s dog. She remembers what city she lives in. And on which street. And in which house. The one with the big olive tree where the road takes a turn. She remembers what year it is. She remembers t…
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘They learned that some people are born luckier than others and that things in this world do not always go as you plan.’
‘Using the ‘we’ voice allowed me to tell a much larger story than I would have been able to tell otherwise.’
‘How far can one deviate from the accepted pieties before one is kicked out?’
Brandon Taylor on naturalism and the future of fiction.
‘He takes the knife, cuts the barb from the body, sends it back to the depths of the river.’
An extract from Not a River by Selva Almada, translated by Annie McDermott.
Dinaw Mengestu talks about how he came to write ‘Big Money’, his contribution to Granta 108, his forthcoming novel, his relationship with his hometown, Chicago, and his inspiration as a writer.
