We waited quietly for the Queen who wasn’t there, whose car –
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We waited quietly for the Queen who wasn’t there, whose car –
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Gillian Allnutt is the author of numerous volume of poetry, including How the Bicycle Shone: New and Selected Poems, Sojourner and Lintel.
More about the author →
‘The whole family: yay. I love my family. (Don’t I.)’
Fiction by Victor Heringer, translated by James Young.
‘My life is full of regrets – I sometimes think I regret everything about my life – but I’ve never regretted the time spent riding the rails of Thatcher’s Britain.’
Geoff Dyer on conducting market research in the eighties.
‘The garden is actually an archive, every plant bringing with it a narrative of past injustice, upheaval, shifts in wealth and taste.’
Olivia Laing and Jamaica Kincaid discuss the political significance of the garden.
‘When work is at mealtime, when is mealtime?’
Rebecca May Johnson on waitressing, hunger and eating at work.
‘Otome games are about women writing romance plots designed to please women – paper hubbies and their voice actors are just a conduit to make the experience more believable.’
Yun Sheng on the rise of virtual love in China.
‘Time in its passing casts off particles of itself in the form of images, documents, relics, junk.‘
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