Lisa Robertson is a Canadian writer who lives in France. Her novel The Baudelaire Fractal, first published by Coach House Books in Toronto in 2020, has just been reissued by Peninsula Press in the UK. She is the author of three books of essays including the recent Anemones: A Simone Weil Project (If I Can’t Dance, Amsterdam) and Nilling (Book*hug, Toronto). Since 1991 she has published ten books of poetry.
‘The description becomes a psychic image, a political image of transformational potency.’
Kate Briggs and Lisa Robertson discuss becoming novelists, description as a political tool, and endings.
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