Will Ashon is an English writer and novelist, former music journalist and founder of the Big Dada imprint of Ninja Tune records. In the 90s he worked as a music journalist specialising in hip hop, and he is the author of Chamber Music: Enter the Wu-Tang Clan (in 26 Pieces).
‘The techniques of hip-hop are always evolving – does that make it an inherently unstable technology, and is that where much of its aesthetic excitement derives from?’
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