It darkens, brother,
and your crutch-tip grinds
the gravel the deer stepped delicately along
one breakfast, you were a kid.
Mother says after thirty,
decades clip by
‘and then you have the sum’
or spent it.
Sign in to Granta.com.
It darkens, brother,
and your crutch-tip grinds
the gravel the deer stepped delicately along
one breakfast, you were a kid.
Mother says after thirty,
decades clip by
‘and then you have the sum’
or spent it.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
James Schuyler was born in Chicago in 1923. He received the 1981 Pulitzer Prize for poetry for The Morning of the Poem (Farar, Straus and Giroux). He died in Manhattan in 1991.
More about the author →
‘Words only point to experience, they can’t replace it.’
Vanessa Onwuemezi and Colin Herd discuss UFOs, relation, and the search for an inner sense of home.
‘How do we perform our politics, our outrage and our grievances when we are among a group?’
Anthony Anaxagorou talks about his collection Heritage Aesthetics.
‘It was a commonplace / to enter the woods / with meat, lay it on the ground, then / wait for what might come.’
Poetry by Michael Bazzett.
Granta magazine is run by the Granta Trust (charity number 1184638)
The copyright to all contents of this site is held either by Granta or by the individual authors, and none of the material may be used elsewhere without written permission. For reprint enquiries, contact us.