good morning.
when were you born?
there are many names
registered here. how many
names do you have?
as you say. did you wake
well?
i was born in the afternoon.
>well, thank god i am not
nameless.
Sign in to Granta.com.
good morning.
when were you born?
there are many names
registered here. how many
names do you have?
as you say. did you wake
well?
i was born in the afternoon.
>well, thank god i am not
nameless.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Gboyega Odubanjo was born and raised in east London. He is the author of two poetry pamphlets: While I Yet Live and Aunty Uncle Poems. Odubanjo is one of the editors of the poetry magazine bath magg.
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‘Words only point to experience, they can’t replace it.’
Vanessa Onwuemezi and Colin Herd discuss UFOs, relation, and the search for an inner sense of home.
‘How do we perform our politics, our outrage and our grievances when we are among a group?’
Anthony Anaxagorou talks about his collection Heritage Aesthetics.
‘Places don’t always remember what they are.’
Ayanna Lloyd Banwo talks about her novel When We Were Birds.
Home is makeshift. Everything we build, everything we name, everything we hold dear and would not have taken from us is temporary and in constant need of re-imagining.
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