good morning.
when were you born?
there are many names
registered here. how many
names do you have?
as you say. did you wake
well?
i was born in the afternoon.
>well, thank god i am not
nameless.
Sign in to Granta.com.
good morning.
when were you born?
there are many names
registered here. how many
names do you have?
as you say. did you wake
well?
i was born in the afternoon.
>well, thank god i am not
nameless.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Gboyega Odubanjo was born and raised in east London. He is the author of two poetry pamphlets: While I Yet Live and Aunty Uncle Poems. Odubanjo is one of the editors of the poetry magazine bath magg.
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‘Words only point to experience, they can’t replace it.’
Vanessa Onwuemezi and Colin Herd discuss UFOs, relation, and the search for an inner sense of home.
‘How do we perform our politics, our outrage and our grievances when we are among a group?’
Anthony Anaxagorou talks about his collection Heritage Aesthetics.
‘Places don’t always remember what they are.’
Ayanna Lloyd Banwo talks about her novel When We Were Birds.
‘We live with the permanent sense of imminent disaster.’
Charif Majdalani on the situation in Beirut. Translated from the French by Ruth Diver.
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