Granta | The Home of New Writing

New Year’s By the Sea, Spinning Top and Cup

China Time

Thomas Meaney

‘At a time when China has become a unifying specter of menace for Western governments, this issue of Granta brings the country’s literary culture into focus.’

The editor introduces the issue.

Speedwell

Zhang Yueran

‘Fiction is a kind of spell, I said, and analysing a story is an exorcism. It loses all its mystery.’

Fiction by Zhang Yueran, translated by Jeremy Tiang.

Hunter

Shuang Xuetao

‘Lu Dong is a fifth-rate actor – that’s by his own ranking system.’

Fiction by Shuang Xuetao, translated by Jeremy Tiang.

White Night

Feng Li

‘For more than twenty years, photographer Feng Li has been documenting the people and backdrops of Chengdu, the capital of Sichuan province, and one of the fastest growing cities on earth.’

Photography by Feng Li, introduced by Granta.

The Excitements of Spring

Zou Jingzhi

‘As a young man, I wanted to learn how to love, but in the end, I did nothing. I wanted to torture myself, but didn’t know where to begin.’

Fiction by Zou Jingzhi, translated by Jeremy Tiang.

Picun

Han Zhang

‘The stories being written by Picun writers and their peers show the effort and the ingenuity required to survive as migrant workers, builders of the economic miracle.’

Han Zhang on the New Workers’ Literature Group of Picun.

The Piranhas

Jianan Qian

‘In the end, the real world always finds a way to live up to rumor.’

Fiction by Jianan Qian, translated by Jianan Qian and Alyssa Asquith.

Take Me Out to the Ball Game

Ban Yu

‘It was a special time in Shenyang’s history – everyone was enthusiastic about football, and every company had a football fan club.’

Fiction by Ban Yu, translated by Tony Hao.

Shot in the 1960s, Printed Yesterday

Haohui Liu

‘It is rare to see photos of Daqing from the 1960s that are not part of the official feting of the oil boom.’

Photography by Haoihui Liu, introduced by Granta.

Adrift in the South

Xiao Hai

Finally! I thought. Now I get to work in a big factory. I was fifteen and a half years old. I was a child laborer.’

Xiao Hai on coming of age in the factories of Shenzhen, translated by Tony Hao.

Hai Shan Swimming Pool

Yang Zhihan

‘As soon as I turned the corner, I saw her. She was swimming across the blue sea, the only person in the entire swimming pool.’

Fiction by Yang Zhihan, translated by Helen Wang.

Tomorrow I’ll Get Past It

Yu Hua

‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’

Fiction by Yu Hua, translated by Michael Berry.

New Year’s By the Sea, Spinning Top and Cup

Huang Fan

‘A cup is an open mouth / You kiss each day’

Three poems by Huang Fan, translated by Margaret Ross.

Goodbye, Bridge of the East

Wang Zhanhei

‘To make sure she was looking her best in the photos, Wu Jiayu avoided eating during our dates, and she didn’t order anything for me when we were done.’

A short story by Wang Zhanhei, translated by Dave Haysom.

For Pessoa and My Cows Arrive

Lan Lan

‘I read your love poem, / a failure.’

Two poems by Lan Lan, translated by Diana Shi and George O’Connell.

The Civilian Level

Lie Jie & Zhang Jungang

‘Photographs, they feel, lie in wait for them.’

Photography by Li Jie and Zhang Jungang introduced by Granta.

Birds

Zheng Xiaoqiong

‘in the Huangma Mountains, everything rots readily’

A poem by Zheng Xiaoqiong, translated by Eleanor Goodman.

The Rules of the Game

Wu Qi

‘It seemed perfectly normal for middle-class writers to tell the stories of the underclass. But the presumed creator of literature has been changing.’

Granta interviews Wu Qi.

Song of the Bicycle and the Fence and Greenland

Hu Xudong

‘How reliable did the gods have to be / to make his parents meet on an island / the size of a continent?’

Two poems by Hu Xudong, translated by Margaret Ross.

The Leftie Sickle

Mo Yan

‘When they were working, Old Han held the tongs, Young Han swung the sledgehammer, and Old Third worked the bellows to raise the heat.’

A short story by Mo Yan, translated by Nicky Harman.

Black Pig Hair, White Pig Hair

Yan Lianke

‘Are you here to accept punishment on the mayor’s behalf ? This is a great opportunity. People burn incense for a chance like this.’

A short story by Yan Lianke, translated by Carlos Rojas.

Doing the Work

Emily Berry

‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’

Emily Berry on being a temporary office worker.

My Spiritual Evolution

Tao Lin

‘I came to feel that I was hiding here in the physical world, like a child who hides in a computer game to escape a more consequential reality.’

Tao Lin on his spiritual awakening, via psychedelics and the literature of near-death experiences.

Notes on Craft

Sigrid Rausing

‘I think I stayed with the text for as long as I needed to give meaning to my grief, crying not in Johanna’s absence but with her.’

Sigrid Rausing on transcribing, translating and editing Johanna Ekström’s final notebooks.

Doing the Work

Sandra Newman

‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’

Sandra Newman on learning how to play professional blackjack.

Podcast | Alan Hollinghurst

Alan Hollinghurst

‘I settled in, decades ago, to the idea that I was just going to write from a gay position, without explanation or excuse.’

Alan Hollinghurst on writing from the outsider’s perspective and cataloguing queer life.

Doing the Work

A. K. Blakemore

‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’

A.K. Blakemore on working nights.

In Conversation

Daisy Lafarge & Amber Husain

‘Being parasitised usually comes part and parcel with being a parasite yourself.’

Daisy Lafarge and Amber Husain on parasites and institutions.

Silas Lucas

Garth Risk Hallberg

‘Thinking back to that summer of Silas Lucas, I can see my father trying to invent for me the place where the actual and the possible meet to make something new.’

Garth Risk Hallberg on the borderline business of telling stories.

Perfection

Vincenzo Latronico

‘They couldn’t put their finger on exactly what it was they craved, but they knew it was very different to what they had.’

Fiction by Vincenzo Latronico, translated by Sophie Hughes.

Doing the Work

Camilla Grudova

‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’

Camilla Grudova on bad-mannered customers.

Something Happened

Madeline Cash

‘She is thorough in a way that is off putting to people. It makes for a good secretary, not a good conversationalist.’

Fiction by Madeline Cash.

Interview

Brea Souders & Alice Zoo

‘How would I feel if I had messaged for years with someone that I later found out was an AI?’

Brea Souders speaks to Alice Zoo about chatbots, interconnection and the dialogue between photography and text in her work.

Chicken Crazy

Thom Sliwowski

‘Patterns in my love life, things I read, my dreams and distant memories together wove plush carpets of significance.’

An essay by Thom Sliwowski on chicken, abstinence and polyamory.

Podcast | Rachel Kushner

Rachel Kushner

‘My instinct often is to swerve, to try to commit to some kind of reversal on received logics and see how far I can go with it.’

Rachel Kushner on the mystery of prehistory and the true depth of a cave.

Sidney

Brad Phillips

‘People say it’s healthy for couples to fight, it means there’s still passion. I’ve always assumed that was bullshit, but now I’m not sure.’

Fiction by Brad Phillips.