Overhead bullets concuss the air, disrupt Nzinga’s world. There’s no aim to the gunfire, no malice. A government patrol has stumbled on her father’s distant sentries, both sides firing blind in their mutual retreat.
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‘This is why he will survive this war to return to his wife and daughter, barring a blind bullet, an errant piece of shrapnel, some careless act of destiny.’
Overhead bullets concuss the air, disrupt Nzinga’s world. There’s no aim to the gunfire, no malice. A government patrol has stumbled on her father’s distant sentries, both sides firing blind in their mutual retreat.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
George Makana Clark was raised in Rhodesia. He is the author of the novel The Raw Man and the story collection The Small Bees’ Honey. His work has appeared in The Granta Book of the African Short Story, The O. Henry Prize Stories and Tin House, among other publications. He teaches fiction writing and African literature at the University of Wisconsin-Milwaukee.
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‘As a young man, I wanted to learn how to love, but in the end, I did nothing. I wanted to torture myself, but didn’t know where to begin.’
Fiction by Zou Jingzhi, translated by Jeremy Tiang.
‘It is rare to see photos of Daqing from the 1960s that are not part of the official feting of the oil boom.’
Photography by Haoihui Liu, introduced by Granta.
‘Fifty years I’ve played here, except for stretches in Arizona and Mississippi, after my divorce.’
Fiction by Kate Lister Campbell.
‘I spend the afternoon scarifying ceilings. My neck and shoulders are killing me by the time I leave.’
Fiction by Rue Baldry.
‘This election made clear that white people in this country have begun to vote how Southern whites always have: as a bloc.’
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