What was so special about Wichita Falls that all of its 1,154 hotel beds were occupied?
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What was so special about Wichita Falls that all of its 1,154 hotel beds were occupied?
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Duncan McLean was born in Aberdeenshire, lives in Okney and dreams of Texas. He is the author of two novels and a collection of stories. Lone Star Swing: On the Trail of Bob Wills and His Texas Playboys, from which ‘A Good Man is Hard to Find’ (Granta 56) is an extract.
More about the author →
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I settled in, decades ago, to the idea that I was just going to write from a gay position, without explanation or excuse.’
Alan Hollinghurst on writing from the outsider’s perspective and cataloguing queer life.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘Being parasitised usually comes part and parcel with being a parasite yourself.’
Daisy Lafarge and Amber Husain on parasites and institutions.
‘Thinking back to that summer of Silas Lucas, I can see my father trying to invent for me the place where the actual and the possible meet to make something new.’
Garth Risk Hallberg on the borderline business of telling stories.
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