I hope you don’t mind but I wrote this first part out, so I’ll just read it now and get it over with. Mr Jefferies helped me with it. I hope that’s OK.
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‘Before I begin I'd like to say that I'll try to remember everything as best I can, though sometimes I know it won't be right.’
I hope you don’t mind but I wrote this first part out, so I’ll just read it now and get it over with. Mr Jefferies helped me with it. I hope that’s OK.
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‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Stewart O'Nan was born in 1961 in Pittsburgh. His father was an engineer; his mother an economics professor. He studied aerospace engineering at Boston University and worked for five years as a test engineer at Grumman Aerospace, Long Island. Subsequently he took a master's degree in fiction at Cornell University and since 1990 he has taught creative writing, currently at Trinity College in Hartford, Connecticut. His three published novels include Snow Angels (1994). He lives with his wife and two children in Avon, Connecticut, where he is working on various stages of further novels and on a screenplay based on the life of Edgar Allan Poe.
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‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘She is thorough in a way that is off putting to people. It makes for a good secretary, not a good conversationalist.’
Fiction by Madeline Cash.
‘One did not have high hopes for Gettysburg. Nor for Pennsylvania in general. Having grown up in Indiana, Diana felt she’d earned her condescension.’
Fiction by Jessi Jezewska Stevens.
‘He takes the knife, cuts the barb from the body, sends it back to the depths of the river.’
An extract from Not a River by Selva Almada, translated by Annie McDermott.
‘The past is no longer behind me but in front.’
An extract from About Ed by Robert Glück.
‘We didn't know it then, but this was the end of the Taliban—their final surrender after what had been (though, again, those of us who witnessed it had no way knowing this at the time) the most significant struggle of the short war in Afghanistan. Was this final struggle intended? Was the slaughter inevitable? Or was it, as many armed conflicts must be, a long series of mistakes born out of vengefulness, ignorance and fear?’
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