Less than one-hundredth of a per cent of the deep sea has been glimpsed; astronauts have flown 384,000 kilometres to walk on the moon, but no one has actually set foot on the deepest ocean floor, eleven kilometres away.
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Less than one-hundredth of a per cent of the deep sea has been glimpsed; astronauts...
Less than one-hundredth of a per cent of the deep sea has been glimpsed; astronauts have flown 384,000 kilometres to walk on the moon, but no one has actually set foot on the deepest ocean floor, eleven kilometres away.
Sign in to Granta.com.
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘An enormous black form rose from the water. Uncle Feng told me in a low voice to run fast.’
Fiction by Can Xue, translated by Annelise Finegan.
‘At a time when China has become a unifying specter of menace for Western governments, this issue of Granta brings the country’s literary culture into focus.’
The editor introduces the issue.
‘Fiction is a kind of spell, I said, and analysing a story is an exorcism. It loses all its mystery.’
Fiction by Zhang Yueran, translated by Jeremy Tiang.
‘Lu Dong is a fifth-rate actor – that’s by his own ranking system.’
Fiction by Shuang Xuetao, translated by Jeremy Tiang.
‘Surely the world was going to end. And probably in fire - in nuclear destruction, by mistake, or at the hands of madmen.’
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