The Granta Book Of India | Granta

  • Published: 07/07/2005
  • ISBN: 9781862077843
  • 130x20mm
  • 288 pages

The Granta Book Of India

Ian Jack

The Granta Book of India brings together, for the first time, evocative, personal and informative pieces from previous editions of Granta magazine on the experiences of Indian life, culture and politics, including extracts from the highly successful Granta 57: India! The Golden Jubilee. Included are: Suketu Mehta on Mumbai; Chitra Banerji’s ‘What Bengali Widows Cannot Eat’; Mark Tully on his childhood in Calcutta; Ian Jack’s ‘Unsteady People’ – on unexpected parallels between Bihar and Britain; Urvashi Butalia on tracing her long-lost uncle; a poem by Salman Rushdie about the fatwa; Ramachandra Guha’s ‘What We Think of America’; Nirad Chaudhuri writing on his 100th birthday; Rory Stewart among the dervishes of Pakistan; Pankaj Mishra on the making of jihadis in Pakistan; as well as fiction by R. K. Narayan, Amit Chaudhuri and Nell Freudenberger.

The Author

Ian Jack edited Granta from 1995 to 2007, having previously edited the Independent on Sunday. He has written on many subjects, including the Titanic, Kathleen Ferrier, the Hatfield train crash and the three members of the IRA active-service unit who were killed on Gibraltar. He is the editor of The Granta Book of Reportage and The Granta Book of India, and the author of a collection of journalism, The Country Formerly Known as Great Britain. He is working, not very quickly, on a book about the River Clyde.

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From the Same Author

Ian Jack on Granta.com

Essays & Memoir | Granta 154

The Stinky Ocean

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‘It was a peculiar, alopecic landscape of hummocks and gullies, with patches of grass growing on what looked like white earth, and rarely a soul to be seen.’

Essays & Memoir | Granta 60

Those Who Felt Differently

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‘Could grief for one woman have caused all this? We were told so.’

On the death of Diana.

Essays & Memoir | Granta 138

Ian Jack | Is Travel Writing Dead?

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‘Travel writing of most kinds, not just the humorous, has the history of colonialism perched on its shoulder.’