What is travel writing? One of this magazine’s former editors, Bill Buford, described it as ‘pre-eminently a narrative told in the first person, authenticated by lived experience’ – a definition that appeared in Granta’s travel issue of 1984, around the time that the genre reached the height of its post-war literary fashion. Bill might have added that the narrative usually finds its focus in a journey, though not necessarily a long journey. Apsley Cherry-Garrard travelled nearly to the South Pole; George Orwell went to Lancashire.
Ian Jack | Is Travel Writing Dead?
State of Mind
Nothing to be afraid of | State of Mind
Anil K. Seth on the ties between our brains, bodies and consciousness.
Brother | State of Mind
Max Porter on an extraordinary therapy session with his brother.
A Mingling | State of Mind
Siri Hustvedt on contagious emotions.
Mistaken | State of Mind
Maru Ruefle on the complexity of names.
Threshold | State of Mind
Berry Lopez on the interplay between love and fear.
Best of Young American Novelists 2: Introduction
Ian Jack introduces Granta 97: Best of Young American Novelists 2.
Loved Ones: Introduction
One of the world's unfair divisions is that between the writer and the written-about, and this is nowhere more true than in the literary form called the memoir.
Best of Young British Novelists 2003: Introduction
‘What had been an exercise to publicize the literary novel, at a time when there were few spotlights on this particular branch of culture, might now have a new role as an independent consumer's guide to novelists who deserved to be read in an era where 'a thrilling debut by a young writer of enormous talent' is the standard blurb, and where there are now so many spotlights directed by marketing money and the size of the writer's advance.’