in Wales, the farmers looked me over suspiciously
until I opened my mouth and ordered a beer
and they understood that I was not English.
They continued their conversation in Gaelic
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‘It was / a line that signaled absolute forgetting / and it made me want to weep into my drink’
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‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Armand Garnet Ruffo is a citizen of the Ojibwe Nation. His work includes Introduction to Indigenous Literary Criticism in Canada, The Thunderbird Poems and Norval Morrisseau, shortlisted for the 2015 Governor General’s Literary Award for Creative Non-Fiction.
More about the author →‘the earth will heal / eventually / magnificently / when our species / is gone’
‘It was the first teasing days of spring, the scent in the air a cross between death and cum.’
Fiction by Stacy Skolnik.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
‘You are what you do, and you are what you write, to some extent, I believe that at least.’
Lauren Oyler on personality, intention and the collapse between private and authorial selves.
‘There is always a cat sitting on the kitchen windowsill, in the background of every ordinary and extraordinary event, a softly focused silhouette, a pair of piercing eyes.’
Sara Baume responds to twenty-nine photographs from Magnum Photos.
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