He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
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‘He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger.’
He’d bought the Akubra and the elastic-sided boots but anyone could see he was a city bugger. Boolowa knew all about Will Bashford, the city bloke who’d bought the Phipps place as a hobby farm.
Sign in to Granta.com.
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Kate Grenville was born and lives in Sydney. Her novels include Lilian’s Story, (1985) Dark Places, (1994) The Idea of Perfection (1999) and The Secret River (2005), which was shortlisted for the Man Booker Prize. Her most recent work is The Lieutenant (2008). The short story, Mate, appeared in Granta 70.
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‘The military recruits around football – they try to pick up the surplus player population. You couldn't make it on the college team? Well, you know, this is kind of similar. Both are violent.’
Nico Walker on American football.
‘The camera records what’s in front of it, but that reality can be pre-arranged.’
Thomas Ruff speaks to Alice Zoo about light, Bernd and Hilla Becher and the essence of photography.
‘The scarlet stained my palm – / whether the blood of the berry or of the bird, / I couldn’t tell.’
A poem by Isabelle Baafi.
‘The farm was in one of the fourteen green-purple wet deserts, in a dent six miles wide with its shoulders covered in scree and a rainy season that lasts twelve months a year.’
An extract from The Borrowed Hills by Scott Preston.
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