My parents wake me up, both of them together in the doorway of my room, their faces wrinkled by concern and slightly shiny because of the sunlight streaming through the windows.
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‘It just seemed like the right thing to want, the right thing to do.’
My parents wake me up, both of them together in the doorway of my room, their faces wrinkled by concern and slightly shiny because of the sunlight streaming through the windows.
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Uzodinma Iweala was born to Nigerian parents in 1982 in Washington, DC, the second child of four. After attending St Albans School, he graduated from Harvard University in 2004 with a degree in English. His first novel, Beasts of No Nation, has been translated into eleven languages. It won the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters and the John Llewellyn Rhys Prize, among others.
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‘I tried to work out how many elements I would have plugged if I retired at sixty, and soon I was fatigued before a simple subtraction.’
Fiction by A. Jiang.
‘As soon as I turned the corner, I saw her. She was swimming across the blue sea, the only person in the entire swimming pool.’
Fiction by Yang Zhihan, translated by Helen Wang.
‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘Love is a concept about which I have long been very sceptical. I have seen the damage that can be done, and can be justified, in the name of love.’
Fiction by Kevin Brazil.
‘The invisible artist who invites us to stand beside him is clearly among friends; being kind, being of a kind; witnessing with-ness.’
Jesse Glazzard photographs Camp Trans, with an introduction by Anthony Vahni Capildeo.
‘She is standing there, her body like a lamp, waiting for the glass to break.’
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