It’s close to midnight when I cross the Mississippi River at Saint Louis. The soaring stainless-steel Gateway Arch gleams in the skyline light.
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‘If they’re willing to do this for their country then I should be willing to make the same sacrifices.’
It’s close to midnight when I cross the Mississippi River at Saint Louis. The soaring stainless-steel Gateway Arch gleams in the skyline light.
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Elliott Woods is the writer and photographer behind Assignment Afghanistan, an award-winning project in collaboration with the Virginia Quarterly Review. He served six years in the Army National Guard, including a one-year tour in Iraq.
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‘Every time I tried to write more, it turned out to be a fruitless endeavor – I felt like I was trapped in a sealed room with no windows.’
Fiction by Yu Hua, translated by Michael Berry.
‘One did not have high hopes for Gettysburg. Nor for Pennsylvania in general. Having grown up in Indiana, Diana felt she’d earned her condescension.’
Fiction by Jessi Jezewska Stevens.
‘I’m simply trying to do good, Sharon, in the way that I can.’
Fiction by Marie NDiaye, translated by Jordan Stump.
‘It’s a paper bag filled with pastries. Chicken turnovers.’
An extract from Family Meal by Bryan Washington.
‘I see this everywhere. The creativity, resourcefulness and incredible talent for improvisation in Egypt.’
Wiam El-Tamami on returning to Cairo.
‘We all knew that about the gods – that they were total sex.’
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