Wilder than Macfarlane, funnier than Deakin and more emotionally engaged than Sebald, Will Ashon turns getting lost in the forest into high art, and great entertainment. By the end you'll probably be looking for a berth up a tree alongside him
Strange Labyrinth is a wonderful exploration of the tangled undergrowth of the psyche. Ashon is an anarchic Green Man; a puckish punk of the forests and here he has invented a new genre: Gonzo Romanticism
I found it mercilessly lucid, wildly expansive yet down-to-earth, and misanthropic as only books with real heart can be. There's tendency to treat psychogeography as a form of archaeology but he bypasses anything resembling fossils for a more intriguing, irreverent and animated approach. These are fragments of the past brought to life in the present, and a fascinating, cynical yet wide-eyed and inspiring, despite itself, present set in the greater scheme of things. A journey into the dark and terrible maze that is England with a guide as much Minotaur as Theseus
From the Same Author
‘One of the most rewarding pieces of hip-hop criticism ever written’ Jeff Chang
‘Brilliant’ Giles Peterson
‘Will Ashon’s dazzling study gets to the heart of hip hop, pop culture and the history of contemporary America. Essential’ Matt Thorne
‘Each of these chambers contains wonders of history, destiny and mythology’ Margo Jefferson
Will Ashon tells, in 36 interlinked ‘chambers’, the story of Enter the Wu-Tang (36 Chambers) and how it changed the world. As unexpected and complex as the album itself, Chamber Music ranges from provocative essays to semi-comic skits, from deep scholarly analysis to satirical celebration, seeking to contextualise, reveal and honour this singularly composite work of art.
From the FBI’s war on drugs to the porn theatres of 42nd street, from the history of jazz to the future of politics, Chamber Music is an explosive and revelatory new way of writing about music and culture.