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← Back to all issuesGranta 150: There Must Be Ways to Organise the World with Language
Winter 2020
‘There must be ways to organise the world with language.’
From ‘Binyavanga’ by Pwaangulongii Dauod
The English language is like London, a cluster of myriad villages, each with its own atmosphere and particular cadences. This issue – our 150th – celebrates language, showcasing some of the most inventive writers of fiction today.
From this Issue
Essays & Memoir|Granta 150
Essays & Memoir|Granta 150
Introduction
Sigrid Rausing
‘We take our theme from Pwaangulongii Dauod’s remarkable eulogy to the late Kenyan writer Binyavanga Wainaina.’
Editor Sigrid Rausing introduces Granta’s 150th issue.
Fiction|Granta 150
Fiction|Granta 150
The Lost Performance of the High Priestess of the Temple of Horror
Carmen Maria Machado
‘The light pouring from the open door throbbed like a bruised thumb.’
New fiction from Carmen Maria Machado.
Essays & Memoir|Granta 150
Essays & Memoir|Granta 150
Carolyn
Andrew O'Hagan
‘Where was Denver in all of this, or the wide open road to Mexico, or the woman, hip to the souls of sensitive men, who was played on-screen by Sissy Spacek and later by Kirsten Dunst?’
Andrew O’Hagan remembers Carolyn Cassady, beat writer and widow of Neal Cassady.
Poetry|Granta 150
Poetry|Granta 150
Scheherazade Conjoining (31)
Jay Gao
‘Thank any God, our emergency is celestially authorised’
New poetry by Jay Gao.
Fiction|Granta 150
Fiction|Granta 150
How to Count Like a Pro
Amy Leach
‘Clocks are the consummate counters, even better than bankers because they never sleep and especially they never dream.’
A lecture to animals by Amy Leach.
Essays & Memoir|Granta 150
Essays & Memoir|Granta 150
A Portrait of My Mother
Michael Collins (Photographer)
Photographer Michael Collins on his mother’s life following a series of strokes.
Fiction|Granta 150
Fiction|Granta 150
The Story of Anya
Mazen Maarouf
‘The dreams were packed together like coloured soap bubbles.’
Short fiction by Mazen Maarouf, translated from the Arabic by Jonathan Wright.
Art & Photography|Granta 150
Art & Photography|Granta 150
An Instrument of Pure Motion
Tommi Parrish
‘They say they are too busy but actually they are too busy for you.’
A story by graphic novelist Tommi Parrish.
Fiction|Granta 150
Fiction|Granta 150
The Young Entrepreneurs of Miss Bristol’s Front Porch
Sidik Fofana
‘Every black girl on my block was waitin to get a look at Kandese when she first come for the summer. Her grandmuhva told us she hit a teacher with a ruler and got kicked out of her school in Harlem.’
Fiction by Sidik Fofana.
Art & Photography|Granta 150
Art & Photography|Granta 150
Why We Walk
Ian Willms & Adam Foulds
‘There are glimmers of the reality beyond, the promise of redemption even in the darkest places.’
Adam Foulds introduces the photography of Ian Willms.
Fiction|Granta 150
Essays & Memoir|Granta 150
Essays & Memoir|Granta 150
Binyavanga
Pwaangulongii Dauod
‘There are many writers, including myself, who owe their careers to Binyavanga. He was the most generous writer of his generation.’
Pwaangulongii Dauod remembers the late Binyavanga Wainaina.
Art & Photography|Granta 150
Art & Photography|Granta 150
Japanese Wives
Noriko Hayashi
‘Every time I remember that moment, I can’t help but cry. I was only twenty-one years old.’
A photoessay by Noriko Hayashi.
Essays & Memoir|Granta 150
Essays & Memoir|Granta 150
The Second Career of Michael Riegels
Oliver Bullough
‘The new law was technical and complicated, but created something genuinely new: the international business company, a hyper-deregulated shell corporation.’
Oliver Bullough investigates the history of shell companies in the British Virgin Islands.
Poetry|Granta 150
Poetry|Granta 150
The novel
Jack Underwood
‘Only they don’t know / that this silence is what they yearn for.’
A new poem by Jack Underwood.
Poetry|Granta 150
Poetry|Granta 150
This time
Jack Underwood
‘I’m going to give them a linear sense of time, just one direction, all the way!’
A new poem by Jack Underwood.