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These prints from Gunnar Smoliansky's Diary consolidated his position as a major photographer.
‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’
‘The title of this series of photographs is Animal Studies, but I am not sure about that second word. A noun or a verb? A thing or an action? Are these studies of animals or are these animals studying?’ Alexander MacLeod introduces the photography of Elliot Ross.
Above the Tree Line
Teva Harrison visits and illustrates the Northwest Passage through the Canadian arctic for Granta 141: Canada
‘Circuses have the capacity to transform those rejected by society – the acrobats, rope-walkers, puppeteers and expelled demons – into wonders and celebrities.’
Blanket Toss Under Midnight Sun
‘I began to look through archives, libraries, museums and private collections in search of images of Indigenous life that reflected integrity, strength, resourcefulness, hard work, family and play.’
The Canada Pictures
‘In the year leading up to this I started collecting objects that, in some way, evoked a sense of Canadianness in me.’
‘Museums are not solely concerned with objects and our collective past, but also with ideas; notions of what the world is, or should be.’
Caravan of Freedom
When Fidel Castro died, his funeral procession was called a ‘Caravan of Freedom’, and extended 900km, from Santiago to Havana.
‘These photographs capture that fatal boredom in the face of this slow-motion catastrophe.’
Dance of Order
‘I am exploring how the Korean War lives and breathes in contemporary Korean society.’ Photographs from Korea by Noh Suntag.
Blue Sky Days
‘For those caught beneath its thrum, there’s no comfort that the drone, and whoever is at its helm in America, is only targeting the bad guys.’ Eliza Griswold introduces Tomas van Houtryve's unsettling photo-essay taken by drones coming close to civilian life in the manner of the drones currently deployed in Afghanistan.
‘Even today, she still speaks with emotion about Dorian, the transsexual so proud of her breasts, Diane, who weighed only sixty-five pounds, and Steven, who was so frightened of dying alone that Darcy wished she could promise to be with him when the time came.’ Emmanuel Carrère on addiction and poverty in an forgotten America.
Protest is an exhibition of historical and contemporary works by sixteen artists concerned with the sociopolitical issues of their day.
Before They Began to Shrink
‘The numbers killed at Aughrim that day will never be known.’
The Hand’s Breadth Murders: Out-takes
‘You could look all over the world without finding traditions that have lasted as long as the ones here.’
My Last Day at Seventeen: Portraits from Russell Heights
Doug DuBois captures life at Russell Heights, a housing estate ‘of uncertain vintage that sits on Spy Hill above Cork harbour’.
Birte Kaufmann examines the everyday, parallel world of Irish travellers.
Our Day Will Come: Loyalist, Republican
Stephen Dock explores a divided Belfast and reflects on the economic hardship that affects both side.
Cortis & Sonderegger make the premise that there is truth left in photography more doubtful than ever before.