Explore art photography
Drawings of Monsters
‘When I was 4 or 5 I sent the Queen of England drawings of monsters.’
From the editor’s desk
A selection of correspondence with authors during the early years of the magazine.
Hungerwinter and Liberation
Jan Vegter’s remarkable visual and written record of the Nazi occupation of the Netherlands, translated from the Dutch by Theo de Feyter.
En Route to The Promised Land
Ken Light revisits the photos he took of immigrants crossing the border between Mexico and the US in the 1980s.
Full Moon on a Dark Night
A new photo-essay by Soumya Sankar Bose that recreates the dreams of his LGBT friends in India.
‘It was a red-light district and a plywood market and a town of hoodlums in one. I’ll add one more thing: The whole place stunk of sewage.’
These prints from Gunnar Smoliansky's Diary consolidated his position as a major photographer.
‘These bored, frustrated and hungry animals appear as reluctant figures in some unsolvable puzzle, or as victims of a grand experiment whose original purpose is lost in time.’
‘The title of this series of photographs is Animal Studies, but I am not sure about that second word. A noun or a verb? A thing or an action? Are these studies of animals or are these animals studying?’ Alexander MacLeod introduces the photography of Elliot Ross.
Above the Tree Line
Teva Harrison visits and illustrates the Northwest Passage through the Canadian arctic for Granta 141: Canada
‘Circuses have the capacity to transform those rejected by society – the acrobats, rope-walkers, puppeteers and expelled demons – into wonders and celebrities.’
Blanket Toss Under Midnight Sun
‘I began to look through archives, libraries, museums and private collections in search of images of Indigenous life that reflected integrity, strength, resourcefulness, hard work, family and play.’
The Canada Pictures
‘In the year leading up to this I started collecting objects that, in some way, evoked a sense of Canadianness in me.’
‘Museums are not solely concerned with objects and our collective past, but also with ideas; notions of what the world is, or should be.’
Caravan of Freedom
When Fidel Castro died, his funeral procession was called a ‘Caravan of Freedom’, and extended 900km, from Santiago to Havana.