Of course, I’d lied to the editors of Vogue and told them I spoke perfect French.
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Of course, I’d lied to the editors of Vogue and told them I spoke perfect French.
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‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Edmund White’s books include a trio of autobiographical novels, A Boy’s Own Story, The Beautiful Room Is Empty and The Farewell Symphony, as well as biographies of Jean Genet, Marcel Proust and Arthur Rimbaud. He first appeared in Granta as a translator of Milan Kundera from the French, and is now a contributing editor to the magazine. In 2018, he received the PEN/Saul Bellow Award for Career Achievement in American Fiction.
More about the author →‘The worst thing about knowing he was positive was that now he was under an obligation to tell his partners. Not that he informed the man he picked up in the park or the guy he lured over on the phone chatline.’
‘Once in a very great while he referred to me playfully as his ‘husband’, despite his revulsion against camp.’
A selection of Granta contributors discuss the books they read in 2012.
‘But as everyone will surely know, that’s not what came to pass.’
Fiction by José Adiak Montoya, translated by Samantha Schnee.
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