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The New Life

Tom Crewe

‘He knew that he did not want it to stop, that he could not escape the grip of this terrible excitement.’

Fiction by Tom Crewe.

Two Poems

Momtaza Mehri

‘Rub my scalp and tell me who I could have been. / Feed me a morsel or two.’

Two poems by Momtaza Mehri.

Notes on Craft

Greg Jackson

‘It is hard to devote yourself to something that makes you feel constantly like an amateur.’

Greg Jackson on writing and teaching fiction.

Kings Of Cool Crest

Kate Lister Campbell

‘Fifty years I’ve played here, except for stretches in Arizona and Mississippi, after my divorce.’

Fiction by Kate Lister Campbell.

Buttermilk and Liverwurst

Phil Crockett Thomas

‘Incredibly, where her neck had once been, she could now see right through to the faded paisley paper on the opposite wall.’

Fiction from Phil Crockett Thomas.

At me and beautiful problems

Eve Esfandiari-Denney

‘ancestry.com fucks with my mind’

A poem by Eve Esfandiari-Denney.

Generation Gap

Lynne Tillman

‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’

Lynne Tillman on trying to understand what makes a generation.

Generation Gap

Kate Zambreno

‘She didn’t trust us because, to her, tenants were like children.’

Kate Zambreno on negotiating with her older landlady.

Generation Gap

Sarah Moss

‘I’d been dubious about his company at first.’

Sarah Moss on watching Shakespeare with her twelve-year-old son.

Generation Gap

Oluwaseun Olayiwola

‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’

Oluwaseun Olayiwola eavesdrops on an older generation.

Two Poems

Maya C. Popa

‘Things assume a sort of peace / if you accept life’s limitations.’

Poetry by Maya C. Popa.

Generation Gap

Allen Bratton

‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’

Allen Bratton on a daytrip to a castle with his older boyfriend.

In Conversation

Isabel Waidner, Helen Macdonald & Sin Blaché

‘How does a writer transform a familiar object or character into an instrument of horror?’

Helen Macdonald, Sin Blaché and Isabel Waidner on defamiliarisation, multiple dimensions and constructing characters

Introduction

Thomas Meaney

‘The Generations issue of Granta offers different age cohorts a chance for mutual inspection.’

Thomas Meaney introduces the issue.