‘…a fully-fledged, award-winning, gold-plated monster…it knows only one language—bombs and death’ —Harold Pinter
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‘…a fully-fledged, award-winning, gold-plated monster…it knows only one language—bombs and death’ —Harold Pinter ‘…the only...
‘…a fully-fledged, award-winning, gold-plated monster…it knows only one language—bombs and death’ —Harold Pinter
Sign in to Granta.com.
‘We meet at various points in the great swathes of the past that neither of us were alive to witness.’
Allen Bratton on a daytrip to a castle with his older boyfriend.
‘Listening to three white poets, whom I suspect are academics, talk about the state of poetry.’
Oluwaseun Olayiwola eavesdrops on an older generation.
‘I’d been dubious about his company at first.’
Sarah Moss on watching Shakespeare with her twelve-year-old son.
‘She didn’t trust us because, to her, tenants were like children.’
Kate Zambreno on negotiating with her older landlady.
‘A moment now swallowed in embarrassment, I asked a question only a young person might ask an older one.’
Lynne Tillman on trying to understand what makes a generation.
Ian Jack edited Granta from 1995 to 2007, having previously edited the Independent on Sunday. He has written on many subjects, including the Titanic, Kathleen Ferrier, the Hatfield train crash and the three members of the IRA active-service unit who were killed on Gibraltar. He is the editor of The Granta Book of Reportage and The Granta Book of India, and the author of a collection of journalism, The Country Formerly Known as Great Britain. He is working, not very quickly, on a book about the River Clyde.
More about the author →‘It was a peculiar, alopecic landscape of hummocks and gullies, with patches of grass growing on what looked like white earth, and rarely a soul to be seen.’
‘Could grief for one woman have caused all this? We were told so.’
On the death of Diana.
‘Travel writing of most kinds, not just the humorous, has the history of colonialism perched on its shoulder.’
‘This was the collective trauma of a community discovering, very abruptly, they’d have to uproot their lives.’ Tim Beckett on the ruins of Uranium City.
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