Martha Gellhorn wrote frequently for Granta in the 1980s when, late in her life, she re-established her requtation as one of the century’s best reporters. She died on 15 February 1998, aged eightly-nine.
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‘What clipped the wings of her fiction and grounded her imagination was precisely what made her soar as a journalist.’
Martha Gellhorn wrote frequently for Granta in the 1980s when, late in her life, she re-established her requtation as one of the century’s best reporters. She died on 15 February 1998, aged eightly-nine.
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‘Feelings can be very obscure but numbers never lie.’
Kevin Brazil on metrics, obsession and fitness.
‘An intense workout is an ecstasy of punishment packaged as self-improvement.’
Mary Wellesley on exercise, ritual and Barry’s Bootcamp.
‘I was not good at sports because I would not do sports because I did not have the body for sports because I would not do sports.’
Saba Sams on girlhood, embodiment and avoiding sports.
‘Following United rarely brings me any great joy and most often it depresses me. If I could disengage, I would.’
Jonny Thakkar on Manchester United.
‘I deployed my body against an opponent like a blunt and effective instrument.’
John Patrick McHugh on playing Gaelic football.
Nicholas Shakespeare was one of Granta's Best of Young British Novelists in 1993. He has written for Granta on Abimael Guzman, Martha Gellhorn and Tasmania, the background to his most recent novel, Secrets of the Sea. He is also the author of a biography Bruce Chatwin, and is currently preparing an edition of Chatwin's letters.
More about the author →‘If you like people who hate each other, it’s paradise.’
‘By coming to Tasmania, I'd repeated the pattern of an ancient, unknown relative and the discovery pleased me in a profound and mysterious way.’
‘At five in the afternoon, the Bahia de Abyla sailed out of Algeciras.‘
‘They called him Presidente Gonzalo, but his name was Abimael Guzmán. I had come to Lima to find Guzmán, although I knew I wouldn't succeed.’
‘The material becomes a fable about Los Angeles, a city that is always watching itself watch itself.’
Jesse Barron on Los Angeles and Gary Indiana’s final novel.
‘But really, your disappearance / has never been a question of whether.’
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