Photograph by thehayfestival
Nadifa Mohamed speaks with Ted Hodgkinson about her first novel, Black Mamba Boy.
Photograph by thehayfestival
‘I think there should be a National Service of Hospitality. The best way to see the true face of humanity is to serve it a plate of chips.’
Camilla Grudova on bad-mannered customers.
‘Anyone who has ever worked night shifts will understand the vertiginous feeling that comes with staring down the day from the wrong end.’
A.K. Blakemore on working nights.
‘I was constantly reading job ads, trying to find my holy grail – a job I could stand to do, and someone foolish enough to hire me.’
Sandra Newman on learning how to play professional blackjack.
‘I loved being a receptionist. What I loved about it was playing the part of being a receptionist.’
Emily Berry on being a temporary office worker.
‘Every part of you would swell, including your eyeballs, and no matter how much water you drank, you were always dehydrated.’
Junot Díaz on working for a steel mill.
Nadifa Mohamed was born in Somalia and moved to Britain in 1986. Her first novel, Black Mamba Boy, published in 2010, was longlisted for the Orange Prize; shortlisted for the Guardian First Book Award, the Dylan Thomas Award, the John Llewellyn Rhys Prize and the PEN/Open Book Award; and won the Betty Trask Award. Her most recent novel is The Orchard of Lost Souls. She is one of Granta’s 2013 Best of Young British Novelists.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘It was in one of those listless summers after graduation that I found myself in the small Japanese town of Sasayama.’
A short film featuring Nadifa Mohamed, one of Granta's Best Young British Novelists.
‘Silence takes the place of all these words and her loneliness remains as dense and close as a shadow.’
‘I became English by osmosis; a new sense of humour, altered manners, an alternative history filtering through my old skin.’
‘At night her friends let loose and relax.’
Photography by Vera Yijun Zhou of house parties and clubs in Hangzhou, Shanghai and Beijing.
‘We are living in a ‘post-fact’ or ‘post-truth’ world. Not merely a world where politicians and media lie – they have always lied – but one where they don’t care whether they tell the truth or not.’
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