Photograph by thehayfestival
Nadifa Mohamed speaks with Ted Hodgkinson about her first novel, Black Mamba Boy.
Photograph by thehayfestival
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Nadifa Mohamed was born in Somalia and moved to Britain in 1986. Her first novel, Black Mamba Boy, published in 2010, was longlisted for the Orange Prize; shortlisted for the Guardian First Book Award, the Dylan Thomas Award, the John Llewellyn Rhys Prize and the PEN/Open Book Award; and won the Betty Trask Award. Her most recent novel is The Orchard of Lost Souls. She is one of Granta’s 2013 Best of Young British Novelists.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘It was in one of those listless summers after graduation that I found myself in the small Japanese town of Sasayama.’
A short film featuring Nadifa Mohamed, one of Granta's Best Young British Novelists.
‘Silence takes the place of all these words and her loneliness remains as dense and close as a shadow.’
‘I became English by osmosis; a new sense of humour, altered manners, an alternative history filtering through my old skin.’
‘I tried to work out how many elements I would have plugged if I retired at sixty, and soon I was fatigued before a simple subtraction.’
Fiction by A. Jiang.
‘It took me seven years of marriage to figure out that my wife is a hardcore Pearl Jam fan.’
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