‘How we perceive people eventually influences what rights we think they deserve to be given, when there is actually no question of endowing someone with rights; you either have them or you don’t.’
Image © Gianfranco Mura
Sonia Faleiro on marginalized narratives, her time as a reporter and how gender influences her work.
‘How we perceive people eventually influences what rights we think they deserve to be given, when there is actually no question of endowing someone with rights; you either have them or you don’t.’
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
Sonia Faleiro is the author of Beautiful Thing: Inside the Secret World of Bombay's Dance Bars (2012) and 13 Men, an investigation into gang rape in India published in 2015. She is the co-founder of the global journalists' collective, Deca.
More about the author →‘The idea of romantic love for young people is a constructed one.’
‘It’s the barrel that rots the apples.’ Leslee Udwin talks to Sonia Faleiro about her film India's Daughter.
In the latest Granta podcast, Saskia Vogel speaks to Sonia Faleiro, a contributor to the...
‘I wondered how I could feel so at home in a place that was not mine.’
An excerpt from Jessica Au's novel Cold Enough for Snow.
Elaine L. Wang on the best book of 1930: The Man Without Qualities.
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