‘On days when the light is beautiful, when the sun is red above the Saône, I find myself regretting not having come more often when my parents were working the farm.’
Raymond Depardon, the son of a peasant, has become one of France’s most distinguished photojournalists.
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‘The slutty ingenuity of vegetables when it comes to desire and reproductive methods is a marvel.’
Rebecca May Johnson negotiates allotment culture.
‘Globalisation is incomplete: money can go anywhere, but laws cannot.’
Oliver Bullough on one of Britain’s most contested outposts: the British Virgin Islands.
‘You discover during your very first lessons that the problem of singing better involves overcoming many other problems you had not ever imagined.’
A new story from Lydia Davis.
‘She began to count; it was easier this way, counting, because she would not have to remember how she felt.’
An excerpt from Ukamaka Olisakwe’s Ogadinma.
‘Like any desert, I learn myself by what’s desired of me—
and I am demoned by those desires.’
From Postcolonial Love Poem by Natalie Diaz.
‘Having told his story, the thief had said goodbye to Agnès, regretfully, she thought’.
'Bára went to the church on the advice of her friend Ivana. She had been suffering from occasional bouts of depression', Ivan Klíma in 'Don't Forsake Me' in Granta 59: France: The Outsider.
‘Is anyone an authority on themselves, whether on their sexuality or anything else?’
‘Justine was at my lab table, pulling at the ends of her black bob, shoving her hair into her mouth.’
A compilation of some of the best readings of 2011, including Binyavanga Wainaina reading from his memoir One Day I Will Write About This Place, Robert Coover’s reading of his online story ‘Vampire’ and Granta debut contributor Taiye Selasi's reading of ‘The Sex Lives of African Girls’.
