‘On days when the light is beautiful, when the sun is red above the Saône, I find myself regretting not having come more often when my parents were working the farm.’
Raymond Depardon, the son of a peasant, has become one of France’s most distinguished photojournalists.
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‘Ian was a gifted journalist and editor of immense common sense, and had an insatiable curiosity about the world around him. We will miss him.’
Editor of Granta, Sigrid Rausing, remembers Ian Jack.
‘It was a peculiar, alopecic landscape of hummocks and gullies, with patches of grass growing on what looked like white earth, and rarely a soul to be seen.’
Ian Jack on the slag heaps of Glasgow, and the aristocratic lives built on them.
‘Could grief for one woman have caused all this? We were told so.’
Ian Jack in 1997 on the death of Diana.
‘Always and everywhere, this unequal struggle to preserve and remember.’
Ian Jack recalls the missing buildings of his hometown, Farnworth.
‘Outside wars and nuclear accidents, it is hard to think of any technological failure which has had such lasting and widespread effects.’
Ian Jack on the Hatfield train crash, from Granta 73.
‘Having told his story, the thief had said goodbye to Agnès, regretfully, she thought’.
'Bára went to the church on the advice of her friend Ivana. She had been suffering from occasional bouts of depression', Ivan Klíma in 'Don't Forsake Me' in Granta 59: France: The Outsider.
‘I see a gull in a car park and they can see the place where it metabolised water into feathers, food into energy, oxygen into blood.’ Stephen Rutt on what isotopes can tell us about birds.
‘Ungraceful, the heart boinks: / drugged, suspended, spiderwebbed – ’
Four poems by Katie Farris.
‘Most of us these days are dead or on autopilot / As for the wolves – they thrive’
Two poems by Claudine Toutoungi.
‘Bradford, I felt, was a place I had to see for myself, because it seemed that so many important issues, of race, culture, nationalism, and education, were evident in an extremely concentrated way.’
