pours its ragged sound upon
the unlit breakers.
‘Promenading’ is taken from The Departure by Chris Emery, forthcoming with Salt.
Photograph by Dominic Alves
‘Promenading’ is taken from The Departure by Chris Emery, forthcoming with Salt.
Photograph by Dominic Alves
‘I alone know a running stream
that is recovery partly and dim sweat
of a day-fever’
A poem by Rowan Evans.
‘Humour is a thread we hang onto. It punctures through the fog of guilt.’
Momtaza Mehri in conversation with Warsan Shire.
‘Something shifted in me that night. A small voice in my head said, maybe you can make a way for yourself as a poet here, too.’
Mary Jean Chan in conversation with Andrew McMillan.
‘There was to be an exhibition. There were lots of pictures like his, apparently – of waiters, pastry cooks, valets, bellboys.’
An essay by Jason Allen-Paisant from Granta 159: What Do You See?
‘I have started to see that nothing is itself’
A poem by Jason Allen-Paisant from Granta 154: I’ve Been Away for a While.
Chris Emery lives in Cromer with his wife and children. He is a director of Salt, an independent literary press. His work was anthologised in Identity Parade: New British and Irish Poets (Bloodaxe, 2010). He is a contributor to The Cambridge Companion to Creative Writing, edited by David Morley and Philip Neilsen. ‘Promenading’ is taken from The Departure, forthcoming with Salt.
More about the author →
‘From a dish washer to an author who writes about washing dishes.’
Memoir by Ilija Matusko, translated by Jen Calleja.
‘He cleans. Cleans the sink, cleans the plughole, takes out the sink strainer and cleans the underside.’
Fiction by Valeria Gordeev, translated by Imogen Taylor.
‘I can’t help Lentille. Even though she roars. As long as she roars, I won’t be able to work.’
An essay from Urs Mannhart, translated by Christine Müller
‘How can I accept a trauma or a loss that I cannot define?’
Rebecca May Johnson on pregnancy and divining the future.
‘The choice of starting point wasn’t important; the important thing was to cycle through the same sequence of edges.’
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