Give Me Everything You Have by James Lasdun is published by Jonathan Cape.
Photograph © Pia Davis
James Lasdun on his memoir, D.H. Lawrence and why finding a close reader can sometimes be a curse.
Give Me Everything You Have by James Lasdun is published by Jonathan Cape.
Photograph © Pia Davis
‘The anglophone world, we have to infer, has run out of words for its own feelings.’
Daisy Hildyard on the wisdom of scarecrows.
‘What is the read receipt for?’
Lillian Fishman on texting, power and the ethics of leaving a friend on read.
‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’
Rosanna McLaughlin on what the internet thinks she wants.
‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’
Paul Dalla Rosa on excess and the internet.
‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’
Two poems by Sylvia Legris.
James Lasdun is the author of several books of poetry and fiction, including It’s Beginning to Hurt, a story collection. His poetry collection Landscape with Chainsaw was a finalist for the Forward, T.S. Eliot and LA Times Book Prizes.
More about the author →Ted Hodgkinson is the previous online editor at Granta. He was a judge for the 2012 Costa Book Awards’ poetry prize, announced earlier this year. He managed the Santa Maddalena Foundation in Tuscany, the affiliated Gregor Von Rezzori Literary Prize and still serves as an advisor. His stories have appeared in Notes from the Underground and The Mays and his criticism in the Times Literary Supplement. He has an MA in English from Oxford and an MFA from Columbia.
More about the author →‘But he had engulfed her somehow; taken up residence in her imagination like some large, dense, intractable problem that had been given to her to solve.’
‘The fire department didn't have a tall enough ladder to reach his body.’
‘Ice gets into the sea in two ways: it falls in from calving glaciers, or it forms during the winter. Both kinds are spectacular.’
‘All those who might have lived instead of us are gone, or they are starving, while we stay on here at the high house, pulling potatoes from soft earth.’
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