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Best Book of 1982: The Years of Lyndon Johnson

Beth Gardiner

Beth Gardiner on why volume one of Robert Caro’s The Years of Lyndon Johnson series is the best book of 1982.

Mushroom

Rob Doyle

Foraging for the infamous liberty cap mushroom in Dublin.

‘At the root of my interest in both drugs and art was the longing for an encounter with otherness.’

On Europe | Peter Stamm

Peter Stamm

Peter Stamm on the Swiss referendum to join the EU. Translated from the German by Michael Hofmann.

The Strange Story of the World

Chigozie Obioma

‘Mama leaving home with my brother Folu was the last straw, the final stage in the process of Papa’s descent into that great darkness.’ New fiction from Chigozie Obioma.

Glimpses of a totally different system

William Ghosh

‘This old circuit, which had been partly dormant, connected to an earlier memory. It was warm and fizzy and sharp. Then he stepped away, and the current was broken.’

A Language of Figs

Sema Kaygusuz

Sema Kaygusuz on the inheritances of genocide and historical memory, and what her own grandmother, a survivor of the Dersim Massacre in Turkey, taught her about life and language.

Introduction

Sigrid Rausing

‘Somewhere in-between is the truth. Somewhere in-between is the story, or at least the European story.’

The Taste of the Feeling

Peter Mishler

‘Shy yet contemptible object / in an unleaking vial collected.’

Maly Trostinets

Joseph Leo Koerner

‘It was also mainly Viennese Jews who, between 6 May and 10 October 1942, were murdered in Maly Trostinets. Tens of thousands of Jews from elsewhere died there too, together with Soviet soldiers, Belarusian citizens, both Jewish and Christian, and partisans.’

Tom McCarthy | On Europe

Tom McCarthy

‘Like theatre itself, Europe is a contraption, a machine.’

Our Home Is Mortal Too

Katherine Angel

Katherine Angel on Stromae and Royal Museum for Central Africa in Belgium.

Office of Lost Moments

Antonio Muñoz Molina

‘I walk, or I ride the subway. All my worries and obsessions are dissolved in ceaseless observation.’ Translated from the Spanish by Guillermo Bleichmar.

Refuge

Bruno Fert & Nam Le

‘This series showcases a more intimate kind of human absence.’ Nam Le introduces the photographs of Bruno Fert.