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Don DeLillo | Interview
Don DeLillo & Yuka Igarashi
‘The stories are representative of one slice of mind. The novels are mind, body, day and night, and what I ate for lunch.’
P.D. Mallamo | Interview
P. D. Mallamo & Roy Robins
‘Writing and reading in third-person present is like a high-speed drive through Nevada at two a.m.: incredibly invigorating and somewhat dangerous.’
Moscow Women
Carola Hansson & Karin Lidén
‘She’s young, then suddenly she’s old, and she’s buried without knowing why she ever lived.’
Letters From Two Exit Strategists
Jacob Newberry & Vanessa Manko
‘I feel like I’ll spend a great many years unravelling whatever is being stored inside of me just now.’
Ian Teh | Interview
Ian Teh & Ted Hodgkinson
‘The pictures I take are fly-on-the-wall and open to interpretation.’
Interviews of the Boys from the War
Daniel Kon
‘But you had to be on the islands to know what it was really all about.’
Anjan Sundaram and Lindsey Hilsum In Conversation
Lindsey Hilsum & Anjan Sundaram
‘Sometimes we don’t quite know what we’re seeing.’
Julie Otsuka | Interview
Julie Otsuka & Patrick Ryan
‘Using the ‘we’ voice allowed me to tell a much larger story than I would have been able to tell otherwise.’
Turkish Granta | Interview
Berrak Gocer & Ted Hodgkinson
‘The writings, when they came together, made it very clear that there will always be a new approach to the issue of identity.’
The Stone-Thrower from Eisenhuttenstadt
Max Thomas Mehr & Regine Sylvester
‘It has nothing to do with the question of the foreigners. No one in Eisenhuttenstadt wants the foreigners here.’
Karen Russell | Interview
Karen Russell & Patrick Ryan
‘I think it’s impossible to draw a hard and fast line between reality and fantasy.’
In Conversation: Tishani Doshi and Karthika Naïr
Tishani Doshi & Karthika Naïr
‘I have never felt it as a poet, and that is why I’m doubly grateful to dance, for having experienced the loneliness and the terror of the empty stage, but also, to have had that live connection.’